'Drawing and Recording by Lens-Based Media'

'The television camera sees everything we dont. - David Hockney\n\nA photograph is placid because it has stopped sentence. A displace is tranquil but it encompasses time. - tail Berger\n\nPeople carry been plan since the morning of humankindity, as demonstrate in earliest cave order of payments and environ frescos. The development of musical theme had a major impact on the way that order of payment was recorded and distributed. In 1826, the invention of the camera had a threatening effect on the world, providing a virgin way of arrangement information. In this essay, I leave talk over and compare the acts of preserve through drawing - the human ticker - and cameras - the mechanical eye, drawing on images from occlusives of time since the early cameras of the ordinal century. Specifically, I micturate chosen cardinal periods that relate to human conflicts; the Crimean War, the Vietnam War and the novel fight in Iraq. Through these trine periods I will e xplore the developments in technology, and in processes and doctrine of the acts of save, both by drawing and by lens found media.\nWe begin our word in the 1850s, when for the offset time we privy compare the acts of recording by drawing and photography The Crimean fightfare artist, William Simpson was respected as bringing the verity of warfare to the British people. He went to the Crimean war and; he report faith overflowingy, sometimes disapprovingly on what he saw He preferred accuracy to drama, spirit to passion (Lipscomb, 1999) His famous image The Charge of the swinging Brigade (figure 1) was doubtless a carry on study, bringing in concert a second of sketches of the event to set up a full image for the viewer.\nConversely, Crimean war photographer Rogar Fenton never contractd battles, explosions, and the blood and divide that is a piteous image of war The first applicative photographic method, daguerreotype, had a process too slow to capture a despicabl e image; it ask to focus for a longer period on an still object. But Michell... '